The Story in Paintings: index of well-known narratives 2 classics
Jean Auguste Dominique Ingres (1780–1867), Oedipus and the Sphinx (1808, 1827), oil on canvas, 189 x 144 cm, Musée du Louvre, Paris. Photo courtesy of the Art Renewal Center, via Wikimedia Commons.
This is an index of the 56 well-known stories and narratives from classical Greek and Roman sources which are covered in articles about narrative painting on this blog. These are arranged in alphabetical order, for each giving the type of narrative and its origin, links to the paintings featured here, and a ‘lead’ example painting is shown. There are separate illustrated indexes for other sources of narratives, e.g. Biblical.
Jean-Léon Gérôme (1824–1904), Androcles (c 1902), oil on canvas, 30 x 40 cm, National Museum of Fine Arts in Buenos Aires, Argentina. Courtesy of National Museum of Fine Arts in Buenos Aires, via Wikimedia Commons.
Frederic, Lord Leighton (1830–1896), Captive Andromache (c 1886), oil on canvas, 197 x 407 cm, City of Manchester Art Gallery, Manchester, England. WikiArt.
Frederic, Lord Leighton (1830–1896), Perseus and Andromeda (1891), oil on canvas, 235 × 129.2 cm, Walker Art Gallery, Liverpool, England. Wikimedia Commons.
Jacques-Louis David (1748–1825), Antiochus and Stratonica (1774), oil on canvas, 120 x 155 cm, École nationale supérieure des Beaux-Arts, Paris. Wikimedia Commons.
Diego Velázquez (1599–1660), The Spinners (Las Hilanderas, The Fable of Arachne) (c 1657), oil on canvas, 220 x 289 cm, Prado Museum, Madrid. Wikimedia Commons.
Anselm Feuerbach (1829–1880), The Battle of the Amazons (Second Version) (1873), oil on canvas, 405 × 693 cm, Germanisches Nationalmuseum, Nuremberg, Germany. Wikimedia Commons.
Rembrandt Harmenszoon van Rijn (1606–1669), The Conspiracy of the Batavians under Claudius Civilis (1661-2), oil on canvas, 196 x 309 cm, Nationalmuseum, Stockholm. Wikimedia Commons.
Jacques-Louis David (1748–1825), The Lictors Bring to Brutus the Bodies of His Sons (1789), oil on canvas, 323 × 422 cm, Musée du Louvre, Paris. Wikimedia Commons.
Sandro Botticelli (Alessandro di Mariano di Vanni Filipepi) (c 1445-1510), Primavera (Spring) (c 1482), tempera on panel, 202 x 314 cm, Galleria degli Uffizi, Florence. Wikimedia Commons.
Paul Merwart (1855-1902), The Flood (Deucalion holding aloft his wife) (date unknown), oil on canvas, 288 x 180 cm, Lviv National Art Gallery, Lviv, The Ukraine. Wikimedia Commons.
Joseph Wright of Derby (1734–1797), The Corinthian Maid (c 1782-5), oil on canvas, 106.3 x 130.8 cm, The National Gallery of Art, Washington, DC. Wikimedia Commons.
John Martin (1789–1854), Diogenes Throwing Away His Cup (1833), watercolour with scratching out, heightened with touches of gum arabic, 19.5 x 26 cm, Private collection. Wikimedia Commons.
John William Waterhouse (1849–1917), Echo and Narcissus (1903), oil on canvas, 109.2 x 189.2 cm, Walker Art Gallery, Liverpool, England. Wikimedia Commons.
Frederic, Lord Leighton (1830–1896), Electra at the Tomb of Agamemnon (1868-9), oil on canvas, 150 × 75.5 cm, Ferens Art Gallery, Kingston upon Hull, England. Wikimedia Commons.
Gustave Moreau (1826–1898), Hercules and the Lernean Hydra (1876), oil on canvas, 175 × 153 cm, The Art Institute of Chicago, Chicago, IL. Wikimedia Commons.
Joseph Mallord William Turner (1775–1851), The Parting of Hero and Leander (1837), oil on canvas, 146 × 236 cm, Tate Britain, London. Wikimedia Commons.
Jacques-Louis David (1748–1825), The Oath of the Horatii (copy) (1786, original 1784-5), oil on canvas, 130.2 x 166.7 cm (original 329.8 x 424.8 cm), Toledo Museum of Art, Toledo, OH (original Musée du Louvre). Wikimedia Commons.
Jean-Léon Gérôme (1824–1904), The Death of Caesar (1859-67), oil on canvas, 85.5 x 145.5 cm, Walters Art Museum, Baltimore, MD. By courtesy of Walters Art Museum, via Wikimedia Commons.
Rembrandt Harmenszoon van Rijn (1606–1669), Lucretia (1666), oil on canvas, 110.2 x 92.3 cm, Minneapolis Institute of Arts, Minneapolis, MN. Wikimedia Commons.
Elihu Vedder (1836–1923), Minerva of Peace (1897), mosaic, dimensions not known, central arched panel leading to the Visitor’s Gallery, Library of Congress Thomas Jefferson Building, Washington, DC. Photographed in 2007 by Carol M. Highsmith (1946–), who explicitly placed the photograph in the public domain, via Wikimedia Commons.
William Dyce (1806–1864), Neptune Resigning to Britannia the Empire of the Sea (1847), fresco, 350 x 510 cm, Osborne House, East Cowes, Isle of Wight, England. Wikimedia Commons.
John William Waterhouse (1849–1917), Circe Offering the Cup to Odysseus (1891), oil on canvas, 149 x 92 cm, Gallery Oldham, Manchester, England. Wikimedia Commons.
Joseph Wright of Derby (1734–1797), Penelope Unravelling her Web by Lamp-light (1785), oil on canvas, 101.6 x 127 cm, The Getty Center, Los Angeles, CA. Wikimedia Commons.
Joseph Mallord William Turner (1775–1851), Ulysses Deriding Polyphemus (1829), oil on canvas, 132.7 × 203 cm, The National Gallery, London. Wikimedia Commons.
John William Waterhouse (1849–1917), Ulysses and the Sirens (1891), oil on canvas, 100.6 x 201.7 cm, National Gallery of Victoria, Melbourne, Australia. Wikimedia Commons.
Jean Auguste Dominique Ingres (1780–1867), Oedipus and the Sphinx (1808, 1827), oil on canvas, 189 x 144 cm, Musée du Louvre, Paris. Photo courtesy of the Art Renewal Center, via Wikimedia Commons.
Jean-Baptiste-Camille Corot (1796-1875), Orpheus Leading Eurydice from the Underworld (1861), oil on canvas, 44 x 54 cm, Museum of Fine Arts, Houston TX. WikiArt.
Gustave Moreau (1826–1898), The Fall of Phaeton (study) (1878), watercolor, highlight and pencil on paper, 99 x 65 cm, Musée du Louvre, Paris. Wikimedia Commons.
Jean Auguste Dominique Ingres (1780–1867), Romulus’ Victory over Acron, (1812), tempera on canvas, 276 x 530 cm, École des Beaux Arts, Paris. Wikimedia Commons.
Jacques-Louis David (1748–1825), The Death of Socrates (1787), oil on canvas, 129.5 x 196.2 cm, Metropolitan Museum of Art, New York, NY. Wikimedia Commons.
Elihu Vedder (1836–1923), The Sphinx of the Seashore (1879), oil on canvas, 40.6 x 71.1 cm, Fine Arts Museums of San Francisco, de Young, San Francisco, CA. The Athenaeum.
Alessandro Magnasco (1667–1749), The Triumph of Venus (1720-30), oil on canvas, 118.1 x 148.6 cm, The J. Paul Getty Museum, Los Angeles, CA. Courtesy of The J. Paul Getty Museum.