How optical effects familiar from photography became incorporated into Naturalist paintings, and major painters adopted photography as an art form.
Gérôme
Masks as symbols of theatre and drama, in ancient times, from Noh theatre in Japonisme, in masked balls, and in carnivals.
Arduous demands can be made on models, who are always seen in paintings but never credited. Gérôme’s Emma Dupont, Joanna Hiffernan, and Renoir’s Lise Tréhot.
As a sign of those in domestic service, and the poor when working on the land, worn by those in the kitchen, even the men, and protecting their bodies when at work.
Pygmalion painted by Edward Burne-Jones and Gérôme, the painted frieze of the Parthenon, Eakins and the sculptor Rush, Lovis Corinth’s portrait, and a cheeky monkey by Watteau.
After some early visits, young landscape painters started to visit the forest in 1829, and became the Barbizon School.
In Gérôme’s early success The Cock Fight, Rembrandt’s Night Watch, Murillo’s Adoration of the Shepherds, and many farmyard paintings.
Some of the most famous Impressionist paintings celebrated their role and their distinctive beauty, and how they show Mondrian becoming modern.
Gates opened in time of war, entered by Christ in triumph, those of hell in Dante and Milton, separating lovers, and marking the start of an elopement.
The harvest painted by Anna Ancher, Lhermitte, Adrian Stokes, Nikolai Astrup, John Linnell, Félix Vallotton, PS Krøyer, Gérôme, and others.
The Eclectic Light Company 