Examples of a ‘dead’ narrative technique used by JMW Turner, Corot, Ford Madox Brown, Edvard Munch, Lovis Corinth and others.
His four best paintings viewed in their historical context, and consideration of the constraints that he painted under. What if?
In the late 19th century painters turned attention to depicting rainy conditions, with Caillebotte’s closely observed views, and effects on colour.
Controversial and an ardent anti-unionist, Frick was an eclectic collector of art. Three Vermeers, Rembrandt, Goya, Renoir, and Whistler are among its treasures.
The Sack of Troy, Turner, Vesuvius erupting, an unusual Manet maritime, Vallotton, Paul Nash, Monet, Luce, Signac, Stella and more going up in smoke.
Wonderful paintings of the last years of sail, from Aivazovsky, Clarkson Stanfield, William McTaggart, Seurat, Signac, and others.
From 1643 (Claude Lorrain), through Claude-Joseph Vernet and Turner to JC Dahl two centuries later.
In paintings by JMW Turner, Gustave Moreau, Lovis Corinth and others. Strangely so many put into danger or conflict by humans.
The evolution of a painting of Dieppe Harbour through pencil sketches and to watercolour rough, and some problems of his oil techniques.
Until 1880, varnishing oil paintings was standard practice, but three completely different types of varnish were used. A journey through names like sandarac and colophony.