Like all the worst men, satyrs were addicted to music, wine and women. Paintings by Piero, Claude, Rubens, Vedder, Moreau and others.
Romulus and Remus were abandoned as babies, when the intent had been to kill them. And paintings by Hogarth, and the daughter of a successful foundling.
From a pen and ink drawing, to fine sketches in chalk, then into oil paint on canvas, next modelled by a sculptor in clay, and finally into a bronze bas relief.
Ruggiero is beguiled by Alcina, and trapped on her island. His love Bradamante tries to rescue him, through the sorceress Melissa. The old hermit abducts and tried to rape Angelica.
Rembrandt’s late paintings created visual effects as much by surface textures, as by form or colour; his secret lies in how he was able to do this in his paint.
The use of symbols in paintings from the Renaissance to the start of the nineteenth century, with van Eyck, Rubens, Girodet, and others.
Under the patronage of the d’Estes, Ariosto drew on Carolingian and Arthurian legend, and classical myths, to create his epic. With superb paintings to accompany.
How can visual artists express non-visual concepts like the senses, virtues, the struggle between good and evil? Examples from Botticelli, Tintoretto, Rubens, and others.
Look at statues of the Virgin Mary, and they often show her with a foot on a snake. What has that to do with the Immaculate Conception? Rubens, Tiepolo and Caravaggio have the answer.
The Judaeo-Christian tradition lacks any goddess, unlike its predecessors in Mediterranean cultures. Is there an equivalent among its saints, or the Virgin Mary? An exploration in paintings.