Great paintings by Rubens, David, Rembrandt, Merson, Sciuti and Tiepolo telling some of the best stories from Plutarch’s ‘Lives’.
A common convention in paintings of classical myth, the river god was a bearded old man with a put pouring forth water, often seen with a Naiad, his daughter.
From Arcimboldo’s vegetable portrait to the height of Impressionism with Monet and Pissarro, some of the finest paintings of the season.
Made dictator for life, Caesar quickly became unpopular to the point where his life was under threat. Paintings by Rubens, von Piloty, and of course Gérôme.
Two great generals who apparently met in not one but two paintings by Rubens. Together they secured the freedom of Greece within the Roman Empire.
The story of Bathsheba and King David involves adultery and murder, and ultimately the triumph of power not virtue. Early paintings up to Artemisia Gentileschi.
Paintings by Rubens, Rembrandt, Jordaens, Chassériau, von Stuck and Lovis Corinth give slightly different accounts of this story.
Tracing the origin of a vivid allegory in late 19th century painting, normally attributed to the Dreyfus affair. When did the naked Truth first climb out of a well, and why?
Lead White was the primary white pigment used in oil painting until the late twentieth century, and Chalk White was mainly used in the grounds under oil paint layers.
The standard blue pigment for the Renaissance and on, until about 1710, it was used in many Old Masters before disappearing by 1800.