The Story in Paintings: index of well-known narratives 4 literary
Horace Vernet (1789–1863), Mazeppa and the Wolves (1826), oil on canvas, 97 x 136 cm, Calvet Museum, Avignon, France. Wikimedia Commons.
This is an index of the 35 well-known stories and narratives from post-classical literary and similar sources which are covered in articles about narrative painting on this blog. These are arranged in alphabetical order, for each giving the type of narrative and its origin, links to the paintings featured here, and a ‘lead’ example painting is shown. There are separate illustrated indexes for other sources of narratives, e.g. Biblical.
Eugène Delacroix (1798–1863), Angelica and the Wounded Medoro (c 1860), oil on canvas, 81 × 65.1 cm, Art Gallery of New South Wales, Sydney. Wikimedia Commons.
Edward Burne-Jones (1833–1898), The Prioress’s Tale (1869-1898), watercolour with gouache on paper mounted on linen, 103.5 x 62.9 cm, Delaware Art Museum, Wilmington, DE. Wikimedia Commons.
Edward Burne-Jones (1833–1898), Cinderella (1863), watercolour and gouache on paper, 65.7 x 30.4 cm, Museum of Fine Arts, Boston, MA. Wikimedia Commons.
Évariste Vital Luminais (1822–1896), The Sons of Clovis II (1880), oil on canvas, 197 × 276 cm, Musée des beaux-arts de Rouen, Rouen, France. Wikimedia Commons.
Frederic, Lord Leighton (1830-1896), Cymon and Iphigenia (1884), oil on canvas, 218.4 x 390 cm, Art Gallery of New South Wales, Sydney, Australia. Wikimedia Commons.
Gustave Doré (1832–1883), Dante and Virgil in the ninth circle of hell (1861), oil on canvas, 311 x 428 cm, Musée de Brou, Bourg-en-Bresse, France. Wikimedia Commons.
Francesca da Rimini: see Paolo and Francesca da Rimini
Évariste Vital Luminais (1822–1896), Flight of King Gradlon (1884), oil on canvas, 200 x 310 cm, Musée des beaux-arts de Quimper, Quimper, France. Wikimedia Commons.
William Dyce (1806–1864), Piety: The Knights of the Round Table about to Depart in Quest of the Holy Grail (1849), watercolour and bodycolour over pencil on buff paper, laid down, 23.3 x 44 cm, Scottish National Gallery, Edinburgh, Scotland. Wikimedia Commons.
William Dyce (1806–1864), King Lear and the Fool in the Storm (c 1851), oil on canvas, 136 × 173 cm, Scottish National Gallery, Edinburgh, Scotland. Wikimedia Commons.
William Holman Hunt (1827–1910), The flight of Madeline and Porphyro during the drunkenness attending the revelry (The Eve of St. Agnes) (study) (1848), oil on panel, 25.2 x 35.5 cm, Walker Art Gallery, Liverpool England. Wikimedia Commons.
Honoré Daumier (1808–1879), Le Malade Imaginaire (The Imaginary Invalid) (c 1860-2), oil on panel, 26.7 x 35.2 cm, Philadelphia Museum of Art, Philadelphia, PA. Wikimedia Commons.
John Martin (1789–1854), Manfred and the Alpine Witch (1837), watercolour, 38.8 x 55.8 cm, Whitworth Art Gallery, Manchester, England. Wikimedia Commons.
Edward Burne-Jones (1833–1898), The Beguiling of Merlin (1870-4), oil on canvas, 186 x 111 cm, Lady Lever Art Gallery, Port Sunlight, Liverpool, England. Wikimedia Commons.
Honoré Daumier (1808–1879), Don Quixote and the Dead Mule (1867), oil on canvas, 132.5 × 54.5 cm, Musée d’Orsay, Paris. Photograph by Rama, Wikimedia Commons, Cc-by-sa-2.0-fr.
Rimini, Francesca: see Paolo and Francesca da Rimini
Jean Auguste Dominique Ingres (1780–1867), Roger (Ruggiero) Rescuing Angelica (1819), oil on canvas, 147 x 190 cm, Musée du Louvre, Paris. Wikimedia Commons.
Joseph Wright of Derby (1734–1797), Romeo and Juliet. The Tomb Scene (1790), oil on canvas, 177.8 x 241.3 cm, Derby Museum and Art Gallery, Derby, England. Wikimedia Commons.
John Martin (1789–1854), Sadak in Search of the Waters of Oblivion (1812), oil on canvas, 76.2 × 63.5 cm, Art Gallery, St. Louis, MO. Wikimedia Commons.