Two new narrative themes that became distinctive in the mid-19th century were contemporary English poetry, and the legends of King Arthur.
legend
Paintings of the Sleeping Beauty and the Frog Prince only became popular late in the nineteenth century. Do they conform to the standard plot type?
An early photo by Julia Margaret Cameron, and paintings by Vasnetsov, Rochegrosse, Walter Crane and a whole series by Lovis Corinth.
Paintings of knights in armour from Raphael in c 1502, through Ingres’ rescue of Angelica, to Arthurian legends and the Pre-Raphaelite movement.
A brief overview of the legendary and mythical history of the city and its empire, with links to all the articles in this series, and some of the finest paintings.
We journey on, through Thomas Cole’s classical city, to the Garden of Armida, briefly to Paradise, past the submerged city of Ys, ending up in a Surrealist vision of the Dorset coast.
With Umberto Eco as our guide, explore Parnassus, the Garden of Earthly Delights, Alcina’s island, Colchis, and the Garden of the Hesperides.
Very much a Modern Woman, she was in London during the height of the Pre-Raphaelite movement, when she painted her masterpiece of Elaine of Astolat.
Classical expectations are reinforced in the Bible, but clearly fade by New Testament times, when Jesus uses attitudes towards Samaritans in his teaching. By the 19th century, hospitality has been lost.
Three classical myths – Atlas turned to stone, Philemon and Baucis, and Leto and the Lycians turned into frogs. Why you should always show hospitality to strangers.
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