An overview of reflections in landscape paintings by van Eyck, Dürer, Cuyp, Poussin, Claude Lorrain, Canaletto, and Claude-Joseph Vernet in 1771.
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How gold leaf is applied, burnished and patterned using punches to create a jewelled surface. Seen in the Wilton Diptych, and revived by Gustav Klimt at the end of the 19th century.
Armida takes her ten knights, while Erminia secretly leaves Jerusalem to minister to the wounded Tancred. She flees and becomes lost in the country, where she finds a family of shepherds.
Pre-Raphaelite models, muses and partners, including Effie Gray, ex-wife of John Ruskin, Lizzie Siddal, Annie Miller, Fanny Cornforth, Alexa Wilding, Jane Morris and Maria Zambaco.
Arduous demands can be made on models, who are always seen in paintings but never credited. Gérôme’s Emma Dupont, Joanna Hiffernan, and Renoir’s Lise Tréhot.
Associated with the legendary story of the origin of Rome, a woodpecker kept a close eye on the twin infants Romulus and Remus. It’s also associated with the sorceress Circe.
Start with genre paintings from the Dutch Golden Age, add Géricault’s ‘Raft of the Medusa’, Courbet and Millet’s social realism, Manet and Lhermitte and you’ve made Naturalism.
Introduction to the geometry of reflections on water, and a composite image to aid their analysis. How Turner altered some of the reflections he painted.
After a conventional start with oils and watercolour, he experimented with pastels, using them with water, and applying them to monotypes. He also removed the drying oil from paints.
The crusaders first sight of the Holy City, and an initial skirmish claiming the life of Dudon. Tancred falls in love with the Saracen knight Clorinda, and Armida the sorceress is sent to damage the crusaders from within.
The Eclectic Light Company 