Paradise Lost: Book 6 in paintings and illustrations

Gustave Doré (1832–1883), Hell at Last, Yawning, Received Them Whole (Book 6, 874-875) (1866), engraving for 'Paradise Lost', John Milton, Cassell, Petter and Galpin, further details not known. Wikimedia Commons.
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William Blake (1757–1827), Adam and Eve Asleep (Butts Set) (1808), paper, 50 x 39 cm, The Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

In the fifth book: Raphael comes down to Paradise, his appearance described, his coming discerned by Adam afar off, sitting at the door of his bower; he goes out to meet him, brings him to his lodge, entertains him with the choicest fruits of Paradise got together by Eve; their discourse at table: Raphael performs his message, minds Adam of his state and of his enemy; relates at Adam’s request who that enemy is, and how he came to be so, beginning from his first revolt in Heaven, and the occasion thereof; how he drew his legions after him to the parts of the North, and there incited them to rebel with him, persuading all but only Abdiel a Seraph, who in argument dissuades and opposes him, then forsakes him.

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William Blake (1757–1827), Raphael Warns Adam and Eve (Thomas Set) (1807), paper, 25 x 21 cm, The Huntington Library, San Marino, CA. Wikimedia Commons.
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William Blake (1757–1827), Raphael Warns Adam and Eve (Butts Set) (1808), paper, 50 x 39 cm, The Museum of Fine Arts Boston, Boston, MA. Wikimedia Commons.

Raphael continues to relate how Michael and Gabriel were sent forth to battle against Satan and his Angels. The first fight described:

[The voice of God] ‘Go, Michael, of celestial armies prince,
And thou in military prowess next,
Gabriel, lead forth to battle these my sons
Invincible; lead forth my armed Saints,
By thousands and by millions, ranged for fight,
Equal in number to that godless crew
Rebellious; them with fire and hostile arms
Fearless assault, and, to the brow of Heaven
Pursuing, drive them out from God and bliss,
Into their place of punishment, the gulf
Of Tartarus, which ready opens wide
His fiery chaos to receive their fall.’

[Abdiel to Satan] ‘Reign thou in Hell, thy kingdom; let me serve
In Heaven God ever blest, and his divine
Behests obey, worthiest to be obeyed.
Yet chains in Hell, not realms, expect; meanwhile
From me returned, as erst thou saidst, from flight
This greeting on thy impious crest receive.’
“So saying, a noble stroke he lifted high,
Which hung not, but so swift with tempest fell
On the proud crest of Satan, that no sight,
Nor motion of swift thought, less could his shield,
Such ruin intercept.

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Gustave Doré (1832–1883), This Greeting on Thy Impious Crest Receive (Book 6, 188) (1866), engraving for ‘Paradise Lost’, John Milton, Cassell, Petter and Galpin, further details not known. Wikimedia Commons.

But the sword
Of Michael, from the armory of God,
Was given him tempered so, that neither keen
Nor solid might resist that edge: it met
The sword of Satan, with steep force to smite
Descending, and in half cut sheer; nor stayed,
But, with steep wheel reverse, deep entering shared
All his right side; then Satan first knew pain,
And writhed him to and fro convolved; so sore
The griding sword with discontinuous wound
Passed through him.

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Gustave Doré (1832–1883), Then Satan First Knew Pain, and Writhed Him to and fro (Book 6, 327-328) (1866), engraving for ‘Paradise Lost’, John Milton, Cassell, Petter and Galpin, further details not known. Wikimedia Commons.

“Now Night her course began, and, over Heaven
Inducing darkness, grateful truce imposed,
And silence on the odious din of war.
Under her cloudy covert both retired,
Victor and vanquished.

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Gustave Doré (1832–1883), Now Night Her Course Began (Book 6, 406) (1866), engraving for ‘Paradise Lost’, John Milton, Cassell, Petter and Galpin, further details not known. Wikimedia Commons.

On the foughten field
Michaël and his Angels prevalent
Encamping placed in guard their watches round,
Cherubic waving fires; on the other part,
Satan with his rebellious disappeared,
Far in the dark dislodged; and; void of rest,
His potentates to council called by night

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Gustave Doré (1832–1883), On the Foughten Field Michael and His Angels, Prevalent Encamping, Placed in Guard Their Watches Round (Book 6, 410-412) (1866), engraving for ‘Paradise Lost’, John Milton, Cassell, Petter and Galpin, further details not known. Wikimedia Commons.

Satan and his Powers retire under night: he calls a council, invents devilish engines, which in the second day’s fight put Michael and his Angels to some disorder: but they at length, pulling up mountains, overwhelmed both the force and machines of Satan: yet the tumult not so ending, God on the third day sends Messiah his Son, for whom he had reserved the glory of that victory: he, in the power of his Father, coming to the place, and causing all his legions to stand still on either side, with his chariot and thunder driving into the midst of his enemies, pursues them unable to resist toward the wall of Heaven; which opening, they leap down with horror and confusion into the place of punishment prepared for them in the Deep: Messiah returns with triumph to his Father.

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Artist not known, Illustration to Book 6 of ‘Paradise Lost, John Milton (1688), engraving by Michael Burghers, 1695 edition, dimensions not known, The British Library, London. Wikimedia Commons.

The overthrown he raised, and, as a herd
Of goats or timorous flock, together thronged,
Drove them before him thunderstruck, pursued
With terrors and with furies, to the bounds
And mystal wall of Heaven, which, opening wide,
Rolled inward, and a spacious gap disclosed
Into the wasteful Deep. The monstrous sight
Struck them with horror backward, but far worse
Urged them behind; headlong themselves they threw
Down from the verge of Heaven; eternal wrath
Burnt after them to the bottomless pit.
“Hell heard the unsufferable noise, Hell saw
Heaven ruining from Heaven, and would have fled
Affrighted; but strict Fate had cast too deep
Her dark foundations, and too fast had bound.

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Gustave Doré (1832–1883), Nine Days They Fell (Book 6, 871) (1866), engraving for ‘Paradise Lost’, John Milton, Cassell, Petter and Galpin, further details not known. Wikimedia Commons.

Nine days they fell; confounded Chaos roared,
And felt tenfold confusion in their fall
Through his wild anarchy, so huge a rout
Encumbered him with ruin; Hell at last
Yawning received them whole, and on them closed;
Hell, their fit habitation, fraught with fire
Unquenchable, the house of woe and pain.

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Gustave Doré (1832–1883), Hell at Last, Yawning, Received Them Whole (Book 6, 874-875) (1866), engraving for ‘Paradise Lost’, John Milton, Cassell, Petter and Galpin, further details not known. Wikimedia Commons.

Source of text: Wikisource.

References

Wikipedia on John Milton
Wikipedia on Paradise Lost
Wikimedia text of Paradise Lost

Dartmouth’s superb annotated version in its John Milton Reading Room.

Pablo Auladell (2017) Paradise Lost, by John Milton, a graphic novel, Pegasus Books. ISBN 978 1 68177 362 9.

John Leonard (ed) (2000) Paradise Lost, John Milton, Penguin Classics. ISBN 978 0 140 42439 3.
Gordon Teskey (ed) (2005) Paradise Lost, John Milton, Norton Critical Editions. ISBN 978 0 393 92428 2.
Louis Schwartz (ed) (2014) The Cambridge Companion to Paradise Lost, Cambridge UP. ISBN 978 1 107 02946 0.