Anna Alma-Tadema (1867–1943), Sir Lawrence Alma-Tadema's Library in Townshend House, London (1884), watercolor and gouache, pen and ink, graphite on white paper, dimensions not known, Cooper Hewitt, Smithsonian Design Museum, New York, NY. Wikimedia Commons.
This is an overview and table of contents for the series Interiors by Design, showing paintings of the new genre of interiors. Like so many others, this first developed during the Dutch Golden Age, but was then neglected until it was revived in the nineteenth century.
Matthäus Kern (1801–1852), A Study Interior at St. Polten (1837), brush and watercolor on white wove paper, dimensions not known, Cooper Hewitt, Smithsonian Design Museum, New York, NY. Wikimedia Commons.
Vilhelm Hammershøi (1864–1916), A Room in the Artist’s Home in Strandgade, Copenhagen, with the Artist’s Wife (1901), oil on canvas, 46.5 x 52 cm, Statens Museum for Kunst (Den Kongelige Malerisamling), Copenhagen, Denmark. Wikimedia Commons.
These articles show depictions of the interiors of domestic and other rooms.
Anna Alma-Tadema (1867–1943), The Drawing Room, Townshend House (1885), watercolor, pen and Indian ink over pencil on cardboard, 27.2 × 18.7 cm, Royal Academy of Arts, London. Wikimedia Commons.
Paul Signac (1863-1935), La salle à manger (Breakfast, The Dining Room) (Op 152) (1886-87), oil on canvas, 89 x 116 cm, Kröller-Müller Museum, Otterlo, The Netherlands. Image by anagoria, via Wikimedia Commons.
Laurits Andersen Ring (1854–1933), The Artist’s Wife and Children (1904), oil on canvas, 83 x 102.5 cm, Statsministeriet, Copenhagen, Denmark. Wikimedia Commons.
William McGregor Paxton (1869–1941), The New Necklace (1910), oil on canvas, 91.8 x 73.0 cm, The Museum of Fine Arts Boston (Zoe Oliver Sherman Collection), Boston, MA. Image courtesy of The Museum of Fine Arts Boston.
Pascal Dagnan-Bouveret (1852–1929), Bouderie (Sulking, Gustave Courtois in his Studio) (1880), oil on canvas, 48.3 × 63.5 cm, location not known. Wikimedia Commons.
The Eclectic Light Company 