Two late paintings portraying tranquil sunlit scenes of dawn over still water, remarkable in their anticipation of Impressionism.
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Two modest and simple landscapes, some of the first painted outdoors or ‘plein air’ using oil paints, which paved the way for Constable, Turner, and the Impressionists.
Visual metaphor is common in advertising. Such images succeed in bringing together two apparently unrelated subjects, using the one to position the product favourably in the mind of the beholder.
Just as we are practised and skilled at reading beyond the literality of words, we need tools to see beyond pictures. This is the start of a journey to acquire those tools, and achieve visual literacy.
Instead of depicting her as an erotic nude in a scene of lust and voyeurism, Rembrandt reveals Bathsheba’s inner conflict, and transforms the technique of painting.
We are often led to believe that oil paints were invented in Northern Europe, shortly before the first […]
As the Masters in the South got to grips with linear perspective, those of the Northern Renaissance explored the new medium of oil paints and their power in representing surface textures and the effects of light. This remarkable work is a landmark in the development of Western painting, and an early triumph of realism, which opened the way for landscape as a new genre.
If you research art history, you know how hard it can be to track down an image of […]
This series of articles set out to consider how faithfully landscape painters have tried to depict the views and objects that they paint, as the ‘truth’ of their painting.
Cézanne’s final style, featuring his characteristic ‘constructive stroke’ with patches of colour built from groups of parallel brushstrokes, […]
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