This book looks at the type of painting which was central to Impressionism – the plein air landscape – and traces its development from inception by Desportes in the latter years of the seventeenth century, through the Barbizon School, to its peak in the late nineteenth century.
painting
I am currently planning the following major articles and series for the coming three months: Macs and Technology […]
This final article summarises the importance of different cues to depth in painting.
Linear perspective is one of the most controversial topics in the theory of painting, and few issues about it are generally agreed.
Aerial perspective includes reduction in contrast, reduction in chroma, and colour shift towards ‘cooler’ i.e. more blue, colours. But it can be more complex.
Considers the role of texture and detail gradient, shading and shadow in the depiction of depth in paintings.
The plein air painting season has at last got going here, with fine, warm, and very sunny weather. […]
One of the most famous paintings of the Italian Renaissance, and one of the later huge works in egg tempera, its interpretation remains controversial.
This accompanies The Dulwich Picture Gallery’s current exhibition of Ravilious’s watercolours, the largest to date, and impresses in several respects.
A superb plein air painting of this scene on the River Tiber is part of the foundation that Corot laid for Impressionism.
The Eclectic Light Company 