Overview and links to each of the articles in this series looking at shade and shadow in figurative and landscape paintings.
Michallon
Early works followed Constable or his teacher Michallon, and excelled in anatomy. His trees became more gestural, with daubs and marks as he led the start of Impressionism.
You have a brief window of 30-60 minutes to capture the lighting, shade and shadows, when you’re lucky. How practice and skill overcame one of the great challenges.
Well known for their fights and battles, Delacroix was fond of Chiron, Achilles tutor, but Pirithous and Hippodame regretted inviting them to their wedding feast.
After some early visits, young landscape painters started to visit the forest in 1829, and became the Barbizon School.
Paintings of the Roman countryside by Michallon, Blechen, Camille Corot, Arnold Böcklin, and others following Valenciennes’ teaching.
Paintings by Thomas Jones, Giovanni Battista Lusieri, JMW Turner, Achille Michallon, JC Dahl, Carl Gustav Carus, Ivan Aivazovsky, and Clarkson Stanfield.
By the end of the 18th century, remains of Pompeii were being excavated and inspired painters to re-imagine life and death in the city.
Cicero and the tomb of Archimedes, a theatre at Taormina, the War of the Sicilian Vespers, Antonello’s oil paintings, and urban poverty.
Achilles had gone missing, hiding as a young woman in the royal court on Skyros, where Odysseus found him. And a master archer was bitten on the foot by a snake.
The Eclectic Light Company 