From early portraits of his mother, to wooded landscapes in the style of Corot. When Renoir painted alongside Sisley, Bazille and Monet.
landscape
Pissarro started a realist, became Impressionist, then Neo-Impressionist, before returning to human landscapes. Sisley ploughed the Impressionist furrow all the way.
Continuing to paint series of human landscapes, in his final years Pissarro was highly productive. Here are views of Dieppe and Paris.
They had luck in 1897, when funded to visit Britain. There he painted his swan song – 17 oils of the Welsh coast at Penarth and Langland Bay.
Being unable to paint outdoors for much of the year, Pissarro created human landscapes from the streets of Rouen and Paris.
From Naturalist paintings of Bastille Day in 1880 to rush hour in New York City, and crowds outside the Gare de l’Est in 1917.
Crowded streets in town and cities, from Jan van Eyck in 1435 to Pasini’s market in Constantinople in 1877.
Series, first loose collections of avenues of poplars, then the bridge of Moret-sur-Loing, and finally the mass of the Church in the town. Some of his finest paintings.
Moving back to Impressionist style, he painted the countryside around Éragny, and views of the cities of London and Paris.
In this period, he painted some of the most sublime Impressionist landscapes, their mood and tone set by the sky.
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