From his fine realism of 1858, through sinuous trees above Bordighera, to his first series of poplars near his home in Giverny and on the River Epte.
trees
Influenced by Corot, late in his career he painted several views of an avenue of poplars in the village of Moret-cur-Loing, forming an unusual series shown here.
Taught by Corot, he became an almost compulsive painter of trees and a central figure among the French Impressionists. He later became Pointillist, peaking in 1891, but ceased painting outdoors in his final years.
Early works followed Constable or his teacher Michallon, and excelled in anatomy. His trees became more gestural, with daubs and marks as he led the start of Impressionism.
Difficult to cultivate, as it can’t self-pollinate and doesn’t breed ‘true’, it has still become a major food crop around the world. From blossom to market in paintings.
Walnuts providing food, fine wood, and a drying oil used as an alternative to linseed; almonds that may have a high cyanide content, but are still eaten. Paintings from Piero to Bonnard.
How to distinguish sweet from horse chestnuts in paintings from Sisley, Pissarro, CĂ©zanne, Carl Larsson, Vincent van Gogh, Egon Schiele and others. And all about conkers.
Tracing through his techniques and use of different types of study made in preparation for finished paintings of trees, such as those of Salisbury Cathedral.
Co-founder of the British school of landscape painting, he specialised in trees and woodland, and was greatly admired by John Constable. A selection of some of his finest paintings.
The most characteristic tree of the north coast of the Mediterranean, it has long been associated with cemeteries and other places of grief.
The Eclectic Light Company 