Lead-tin yellow features in many paintings of the Old Masters, until about 1750. It was then replaced and forgotten until 1940. Examples in major masterpieces from Rembrandt, da Vinci, Vermeer, and others.
Rubens
It’s not a colour at all, say some, while the Impressionists wanted to banish it from the palette. But throughout the history of painting, the blackest black has remained vital.
When it was first used as a pigment, this vegetable dye proved reliable and lightfast. Later technique, though, resulting in it fading. Why?
After a short story of Hercules saving Myscelus, Ovid presents the doctrines of Pythagoras, including advocacy of vegetarianism, and philosophy of change. Raphael and Rubens.
Take some blue glass, grind it, and turn it into paint: Smalt is one of the strangest of pigments. It extensively used until replaced by Prussian Blue in the early 1700s, and is making a comeback.
How Vertumnus tried to trick Pomona into loving him, then told her a threatening story. Neither worked: it was being himself that won her in the end.
Boy meets girl but has to swim a mile in treacherous waters to keep meeting her. When she tells him how she burns with passion, he pushes his luck in the sea.
Used since Roman times, it was common in the dress of saints. Highly toxic, it was progressively replaced by cadmium red in the late 19th century.
He was remarkably successful, a truly self-made artist, who rose from nothing to international renown. But did he ‘occasion a revolution in the art’?
On 22 August 1911, he went to the Louvre to paint the Mona Lisa. It had gone missing, though, and didn’t show up for another 2 years.
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