A steady stream of colourful landscapes, from the south and north of France, with many still lives, and the occasional nude figure. But Bonnard also had something of a crisis to deal with.
landscape
His paintings gain light and vibrant colour from time at Saint Tropez, and he paints a huge triptych showing the Mediterranean: one of the major paintings of the 20th century.
Focussing his development and innovation on his intimate domestic scenes, he brought a new light, more mirror play, and a first glimpse of his future style.
Paintings of boats inspired by a cruise with the composer Ravel, optical play with mirrors, and four distinctive panels for his patron Misia’s apartment.
Painting Paris street scenes through the winter, Bonnard and Marthe left the city for the country and coast over the summer.
More scenes of street life in Paris, a landscape, and a Japoniste painting of Spring blossom. Bonnard also gives us glimpses of his private life with Marthe.
Holder expressed what he saw as the deeper truth and the inner unity of the world around him. His paintings are fascinating and enduring.
He starts to evolve away from Nabis style, with brisk oil sketched of the streets of Paris. Here you see his mature style and themes starting to emerge.
Despite the death of his lover, the war, and his own declining health, he painted some of the most sublime landscapes of the century.
Before the First World War, he painted a huge mural in Hanover’s new town hall, portraits influenced by Klimt, and more marvellous landscapes. Here they are.
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