More landscape views embedded in 19th and 20th century paintings, as a posthumous tribute to a colleague, or a context for a still life, perhaps.
landscape
Miniature landscape views embedded in more conventional paintings were not uncommon during the Renaissance, before landscape was established as a genre.
A pupil of Whistler’s and member of his circle, he too adopted a form of Impressionism during the 1880s. With examples of landscape paintings.
The jury for the French Pavilion at the Exposition Universelle in 1855 rejected three of Courbet’s paintings, including one of the canonical paintings of the century.
From Church’s view of Niagara, Bierstadt in the Sierra Nevada, to two early landscape views of Ferdinand Hodler.
From Tivoli, near Rome, in 1757, through the Alps with Wolf and Turner, to remote Albania as seen by Edward Lear, artist and poet.
Before the 1880s, Whistler’s landscapes were very painterly, painted alla prima, showed views later featured by Impressionists, and even used wooden panels of the same size.
Was there a void in British landscape painting after Turner died? Impressionist works by Whistler, Sickert, Steer, Clausen and others appear to have been forgotten.
Chillon Castle, Lake Geneva, Éragny Manor, a mansion in New York City, Kelmscott Manor (home of William Morris), Florence Griswold’s home in Old Lyme, CT, and more.
Palaces of Albert VII, Rubens’ own Het Steen, an imposing Swiss castle, Wivenhoe Park in hiding, and an Australian pastoral station.
The Eclectic Light Company 