From panoramas to wide-angle views, the optical effects of Naturalist paintings, depth-of-field effects, and loss of depth through a telescope.
landscape
A tough compositional challenge: a square that isn’t even rectangular, with unequal sides and a high tower. Solutions by Canaletto and other masters.
How trees came to invade Impressionist landscape paintings, in direct contravention to established principles.
His early landscapes followed van Mander. He also expressed his love of Claude’s work, before composition dissolved into light and colour.
Paintings of autumn from the early 20th century, by Jakub Schikaneder to Grant Wood.
Paintings conveying the atmosphere of autumn, from Joos de Momper in the early 17th century, to Hawkins in about 1890,
From 1880, he painted in Naturalist style, then switched to Impressionism in the early 1890s. He finally embraced post-Impressionism in the 1920s.
Independent development of landscape as a genre in Britain, from Gainsborough to John Constable, and radical departure from tradition.
More leaf-peeping, from Tina Blau and Monet’s poplars on the River Epte, to Paul Nash’s eerie Wittenham Clumps under the moon’s last phase.
Come leaf-peeping with painters from Samuel Palmer in the Weald of Kent, to Julian Alden Weir’s autumn rain.
The Eclectic Light Company 