From a pen and ink drawing, to fine sketches in chalk, then into oil paint on canvas, next modelled by a sculptor in clay, and finally into a bronze bas relief.
history of painting
By Pierre Bonnard, Lovis Corinth, Eleanor Fortescue-Brickdale, John Collier, Joseph Stella, and others. Truly eclectic.
Mud as painted in the Danish countryside, and in Norway. But the last word goes to war: both in the Franco-Prussian and First World Wars.
Mud was a common problem in the streets of cities, and on all the roads, tracks and paths of the country. Why isn’t it seen more in paintings before 1850?
The painting’s reception, and how it changed 19th century painting, with Courbet, Lhermitte, Naturalists, and Tom Lea III.
Considers modern history painting before this by West and David, the underlying story of the tragedy, and how Géricault came to paint what he did.
After an elaborate retelling of the story of Polyphemus and Odysseus, a champion knight is replaced by a cowardly imposter and suffers mockery and rebuke.
He excelled across all genres, one of few painters of the time to do so. He was, and remains, one of the greatest European painters of the late 19th and early 20th centuries.
Crippled by his arthritis, he couldn’t stop painting. Landscapes became more radical, and he painted more bathers. Some of Renoir’s last and most radical works.
He won two gold medals at Expositions Universelles. Includes an 11 metre long work with 7 panels, showing scenes from Heaven and Hell.
The Eclectic Light Company 