The painting’s reception, and how it changed 19th century painting, with Courbet, Lhermitte, Naturalists, and Tom Lea III.
Courbet
The great novelist and poet, author of Les Misérables and the Hunchback of Notre-Dame, also painted and drew over 4000 works. Here’s a small selection.
Hosting Lord Byron’s Alpine Witch, as the birth canal for Thomas Cole’s ‘Voyage of Life’, and an attempt by Courbet to return to the womb? The versatility of caves.
Six distinctive group portraits are now the works for which he is best known. But aren’t they strange, set in comparison with contemporary paintings?
A group portrait which failed so badly that he cut it up after it was shown at the Salon, a portrait of Manet, and another group portrait which inspired Impressionists.
Not an Impressionist by any means, he was a close friend of Whistler and Manet, who painted some of the major group portraits of the late 1800s.
A major influence of realism, leading to Naturalism, and on Impressionism, Courbet was one of those who paved the way for modern art.
After European artists saw Hokusai’s print The Great Wave off Kanagawa, their own depictions became widespread, peaking in 1896.
Becoming involved in the Commune after the Franco-Prussian War, he ended up in prison, finally painting in exile in Switzerland.
The other side of his work in the 1860s: chasing the ‘source’ of rivers near Ornans, serried ranks of waves on the coast, and the help of Corot.
The Eclectic Light Company 