Loyal unto death, dogs as companions to knights, bored Venetian ladies, successful artists, royalty, nude women, and Marthe Bonnard.
Courbet
Apelles, Vermeer, Goya, Hogarth, Courbet, Pissarro, de Haan, and Gustav Klimt: their paintings now lost forever.
Paintings by Paulus Potter, George Morland, James Ward, Gustave Courbet, and others, showing plenty of pigs.
From the tribute to a dead colleague, and a record of an important exhibition, to the downright enigmatic embedded paintings of Velázquez, Courbet and others.
From Turner, through Calame, John Ferguson Weir, and the last paintings of Gustave Courbet in exile, to Ferdinand Hodler.
David’s Neoclassicism brought uniformity and lack of surface texture. Romanticism followed, with garments dissolving into brushstrokes.
A selection of masterpieces which were rejected by the person(s) who commissioned them, or from major exhibitions. Illustrated contents with links.
An unusual but apparently addictive theme for still life paintings: fish, from Chardin’s ray to the performative art of William Merritt Chase.
The jury for the French Pavilion at the Exposition Universelle in 1855 rejected three of Courbet’s paintings, including one of the canonical paintings of the century.
Chillon Castle, Lake Geneva, Éragny Manor, a mansion in New York City, Kelmscott Manor (home of William Morris), Florence Griswold’s home in Old Lyme, CT, and more.
The Eclectic Light Company 