Between about 1814 and 1836, Constable painted many fine skyscapes, and in the 1820s indulged in ‘skying’, oil sketches of the sky above him.
Constable
Innovation moved to the countryside around Rome, with Joseph Vernet, and Valenciennes, who prescribed skying in his textbook on landscape painting.
From the early landscapes of Rubens and Dutch masters to the surrealist skyscapes of Paul Nash, introducing a history of painting the sky.
From DΓΌrer in about 1500, through van Ruisdael, Hobbema, Vernet, Girtin, to Constable watermills were popular in landscape art.
Most of his paintings before 1829 flopped when shown in Britain, but from the Salon of 1824, his work was highly praised in Paris.
Paintings of windmills from Hieronymus Bosch, Rembrandt, Jacob van Ruisdael, Thomas Girtin, and others.
His four best paintings viewed in their historical context, and consideration of the constraints that he painted under. What if?
Considered one of the leading British painters of the first half of the 20th century, she was an incessant traveller, and came from New Zealand.
The evolution of a painting of Dieppe Harbour through pencil sketches and to watercolour rough, and some problems of his oil techniques.
Superb paintings of lightning storms by Giorgione, Poussin, Delacroix, Constable, Bierstadt, Rousseau, Klimt, Bonnard, and Tom Thomson.
