Initiated by Whistler from 1860, it became popular with artists returning from training in Paris in the 1880s, then Sargent, Sickert, and teachers Tonks and Clausen.
Clausen
Frosts herald the winter, a time when few landscape painters work out of doors, but retreat to the studio. These paintings of frost come from the hardiest of artist.
A former surgeon, friends with Whistler, Sickert, Steer and Sargent. Influential teacher and one of the British Impressionists.
From 1880, he painted in Naturalist style, then switched to Impressionism in the early 1890s. He finally embraced post-Impressionism in the 1920s.
Was there a void in British landscape painting after Turner died? Impressionist works by Whistler, Sickert, Steer, Clausen and others appear to have been forgotten.
Far from being the idyllic countryside, the gleaners who followed the harvesters brought a strong social message.
Tony Robert-Fleury’s pupils included Lovis Corinth, Cecilia Beaux, Lydia Field Emmet, Marie Bashkirtseff, George Clausen, Édouard Vuillard, and Ker-Xavier Roussel.
With Monet’s grainstacks and fog on the River Thames, by the 20th century the effects of fog had become part of Western landscape painting.
Gardens aren’t just for flowers, and paintings of vegetable gardens can be just as good art as the most resplendent roses.
His paintings move through Impressionism to a distinctive Post-Impressionism, with swirling brushstrokes, and more subtle colour.
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