The one thing that sticks in my craw almost every time I browse amazon.co.uk is how dumb its recommendations are.
This Impressionist essay on light, colour, and tranquillity features vivacious brush work; in taking art into everyday family life, it heralds art for all.
Security, like terror and debt, is a concept that can generate nightmares, or deep indifference, depending on your level of paranoia and anxiety.
Enough is a common enough word in the English language that we never stop to think how strange it is.
A simply golden landscape at sunset, by the central figure in Impressionism and father of Post-Impressionism.
Is modernism different with respect to its use of visual tropes such as metonymy? The answer leads us to conclusions about the reliance of language and painting on metaphor and metonymy.
I hate the word ‘cute’, but these newly-born lambs really are, complete with their black boots.
Examines the use of metonymy, synecdoche, and symbols in representative painting prior to ‘Modern Art’ in the twentieth century.
A glimpse into the social history of the condom.
Two late paintings portraying tranquil sunlit scenes of dawn over still water, remarkable in their anticipation of Impressionism.
The Eclectic Light Company 