Pissarro started a realist, became Impressionist, then Neo-Impressionist, before returning to human landscapes. Sisley ploughed the Impressionist furrow all the way.
Category Archive: Painting
Continuing to paint series of human landscapes, in his final years Pissarro was highly productive. Here are views of Dieppe and Paris.
Rinaldo is chasing Angelica, whom he is helplessly in love with, but she hates him, and wants to escape from France, as Charlemagne is preparing for the siege of Paris.
Under the patronage of the d’Estes, Ariosto drew on Carolingian and Arthurian legend, and classical myths, to create his epic. With superb paintings to accompany.
New genres in literature gave the public a taste for different forms of narrative. Here’s a short account of the response in ‘problem pictures’ from Hunt to Collier.
Charles knelt at the altar in front of the Pope on Christmas Day 800. When he rose, he was wearing the crown of the Holy Roman Emperor. A surprise perhaps?
The Father of Europe, responsible for a renaissance during the Middle Ages, and Holy Roman Emperor – seen in paintings.
They had luck in 1897, when funded to visit Britain. There he painted his swan song – 17 oils of the Welsh coast at Penarth and Langland Bay.
Being unable to paint outdoors for much of the year, Pissarro created human landscapes from the streets of Rouen and Paris.
Shortly after reaching a pinnacle in 1908, problem pictures fell from popularity. Then came the First World War, from which they never recovered.
The Eclectic Light Company 