From about 1530, painting started to change. Brushstrokes became visible, anatomy exaggerated, composition less balanced and ideal. First Mannerism, then came the Baroque.
Veronese
Lucretia’s rape and suicide, painted by Veronese, Artemisia Gentileschi, Rembrandt, and Kneller, and a wonderful David.
Scenes from Perseus and Andromeda, and Orlando Furioso, by Veronese, Moreau, Burne-Jones, Vallotton and others.
Isn’t that a horrific example of racism: a white man standing on the head of a Black man? Not when you read the image carefully.
The Marriage Feast at Cana, and works by Botticelli, von Carolsfeld, and Dante Gabriel Rossetti featuring wedding feasts.
Raphael’s legacy, including assimilation of styles, figures so lifelike they’re ‘almost breathing’, and a large workshop.
Even the boldest of artists has avoided painting abandoned babies, except in the Biblical story of Moses. Veronese, Poussin, Sirani, Moreau and more.
If you thought glassware was tough, try painting gems and jewellery. Here are a few paintings where this has worked, including two of Rembrandt’s.
Six distinctive group portraits are now the works for which he is best known. But aren’t they strange, set in comparison with contemporary paintings?
Not an Impressionist by any means, he was a close friend of Whistler and Manet, who painted some of the major group portraits of the late 1800s.
The Eclectic Light Company 