Frosts herald the winter, a time when few landscape painters work out of doors, but retreat to the studio. These paintings of frost come from the hardiest of artist.
Thomson
How trees came to invade Impressionist landscape paintings, in direct contravention to established principles.
More leaf-peeping, from Tina Blau and Monet’s poplars on the River Epte, to Paul Nash’s eerie Wittenham Clumps under the moon’s last phase.
As a surveyor and civil engineer, he was more familiar with the inside of a tent than an office. Paintings of Malaya, Singapore and New Zealand.
Paintings of the sky by Vincent van Gogh, Edvard Munch, Klimt, Cézanne, Schiele, Paul Nash and others.
In the first article of this pair, I showed a selection of some of the finest paintings of […]
Never shown to the public in traditional paintings, a vital layer which goes between paint and the support. White, colour, chalk or oil.
Superb paintings of lightning storms by Giorgione, Poussin, Delacroix, Constable, Bierstadt, Rousseau, Klimt, Bonnard, and Tom Thomson.
Why do Canaletto’s gondolas not have shadows? Where did Cézanne get his shadows wrong, and why, and what colour are shadows really?
Into the 20th century, with superb paintings from Hodler and William Merritt Chase, to Marsden Hartley.
