Telling a story using shadows, and the nineteenth century controversy over the colour of shadows.
Signac
Paintings from the early 20th century by artists who lived on the coast near Saint-Tropez, from Signac and van Rysselberghe to Pierre Bonnard.
At the end of the 19th century, the coast near Saint-Tropez became the cradle of modern painting. Views of the coast and its distinctive light and intense colour.
Between 1884 and his death in 1890, he painted a great many still lifes, some of which are not only among his most famous, but the most popular in Western art.
Courbet’s late coastal views and waves, CĂ©zanne’s Post-Impressionism and radical watercolours, Hodler’s sublime view over Lake Geneva, and Signac’s mixed media.
The Sack of Troy, Turner, Vesuvius erupting, an unusual Manet maritime, Vallotton, Paul Nash, Monet, Luce, Signac, Stella and more going up in smoke.
Wonderful paintings of the last years of sail, from Aivazovsky, Clarkson Stanfield, William McTaggart, Seurat, Signac, and others.
Moving back to Impressionist style, he painted the countryside around Éragny, and views of the cities of London and Paris.
In 1885-86, he decided to become a Neo-Impressionist, but after 3 years of painting some of the finest Divisionist paintings, he faced a difficult decision.
In this period, his paintings moved away from Impressionism and simple landscapes, as he slowly became ‘pointillist’ and incorporated more figures.
The Eclectic Light Company 