Paintings by Paul Signac, Evelyn De Morgan, Marsden Hartley, Tom Thomson, Egon Schiele, Julian Onderdonk, Paul Nash, and others.
Signac
Paintings by Paulus Potter, George Inness, Claude Monet, Winslow Homer, Alfred Sisley, Paul Gauguin, Vincent van Gogh, William Merritt Chase, and others.
Scots pines from Northern Europe, a huge umbrella pine in Saint-Tropez, and maritime pines from the Mediterranean coast, painted by Théo van Rysselberghe among others.
Paintings by Paul Signac, Claude Monet, Félix Vallotton, Millet, John Singer Sargent, Maurice Denis, and others.
Neo-Impressionist and their anarchism from 1890, including Maximilien Luce, Paul Signac, Henri-Edmond Cross and Théo van Rysselberghe.
The close group of Neo-Impressionists were also anarchists. This traces their politics in paintings by Paul Signac and Camille Pissarro, including a portrait of Félix Fénéon, later suspected of bombing a restaurant.
Initially his Pointillist views used fine dots and contrasting colours. Over time he explored limited palettes, increasing size of marks, and smooth transitions.
Initially he applied coarser dots on areas of more even colour, used simultaneous colour contrast, then his blobs grew to become patches of paint resembling the tesserae of mosaics.
Popular in ancient times, those in Ravenna inspired Klimt. Luc-Olivier Merson and Elihu Vedder created their own, Sichulski imitated them, and Signac used similar patches of paint.
Technically challenging for painstaking Divisionist techniques, those who chose to depict reflections used studies to help, and Seurat was generally optically faithful. But the best of all was Théo van Rysselberghe.
