Courbet’s late coastal views and waves, Cézanne’s Post-Impressionism and radical watercolours, Hodler’s sublime view over Lake Geneva, and Signac’s mixed media.
The Sack of Troy, Turner, Vesuvius erupting, an unusual Manet maritime, Vallotton, Paul Nash, Monet, Luce, Signac, Stella and more going up in smoke.
Wonderful paintings of the last years of sail, from Aivazovsky, Clarkson Stanfield, William McTaggart, Seurat, Signac, and others.
Moving back to Impressionist style, he painted the countryside around Éragny, and views of the cities of London and Paris.
In 1885-86, he decided to become a Neo-Impressionist, but after 3 years of painting some of the finest Divisionist paintings, he faced a difficult decision.
In this period, his paintings moved away from Impressionism and simple landscapes, as he slowly became ‘pointillist’ and incorporated more figures.
From Conté crayons to oil pastels, stick media have many advantages and are rightly popular today. Here are examples by Millet, Seurat, Redon, Schiele, Bonnard, and others.
With a binder of gum arabic, watercolours came into use in the Renaissance, and have steadily increased in popularity.
Why do Canaletto’s gondolas not have shadows? Where did Cézanne get his shadows wrong, and why, and what colour are shadows really?
They start moving to Le Cannet, on the Mediterranean coast, and marry at last. He returns to painting intimate scenes of Marthe, notably of her in the bath.