John Crome, a quiet innovator and founder of the Norwich School, Frederick Sandys, Thomas Girtin and others in Norfolk and Lincoln.
Sandys
Weaving turned yarn into fabric ready to make into garments. Associations include industry, passing time, fidelity, and the myth of Arachne.
The complicated story of Medea, who provided Jason with intelligence and potions to enable him to steal the Golden Fleece. A femme very fatale.
Paintings of sorceresses, who combine dark arts and seduction. Circe with Odysseus and Scylla, Melissa, Armida, Morgan le Fay and others.
Two new narrative themes that became distinctive in the mid-19th century were contemporary English poetry, and the legends of King Arthur.
Pre-Raphaelites painted Morgan le Fay from Arthurian legend, and the Nabi Paul Ranson seemed fascinated by witches.
Does analysis of literary plots offer anything to the understanding of visual narrative in painting? A journey through some of the best painted stories in quest of the answer.
Jason promises to marry King Aeëtes’ daughter, the sorceress Medea, in return for her help accomplishing his three tasks to take possession of the Golden Fleece.
The daughter of a Jamaican slave, William Morris’s wife, three Greek cousins known as the Three Graces – all muses and models for Pre-Raphaelites.
Five more forgotten women artists with Pre-Raphaelite style, including the prolific and brilliant Kate Bunce, whose work should be much better-known.
The Eclectic Light Company 