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Rossetti

Tyger’s eye: the paintings of William Blake, 1 – the challenge

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Criticised as being “clumsy” as a painter, his work is nothing if not original and idiosyncratic. Is it also impossible to read?

November 18, 2016 General, Painting

Into the Light: Frederick Sandys, Rossetti’s shadow?

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Accused by Rossetti of copying his work, Sandys was perhaps a better draftsman than he was at developing original ideas. But was he a plagiarist?

November 16, 2016 General, Painting

Into the Light: John Godward, Aestheticism in the extreme

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Beautiful paintings, devoid of narrative, symbols, or meaning. They represent the height of the Aesthetic movement: ‘pure’ art.

November 12, 2016 General, Painting

Pre-Raphaelite Landscapes 4: John Brett 1

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From his first painting of the Glacier of Rosenlaui in 1856, Brett made pure landscapes in Pre-Raphaelite style – stunning in their detail.

November 4, 2016 General, Painting

John Everett Millais: only briefly Pre-Raphaelite

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How did one of the Pre-Raphaelite Brotherhood come to paint this clothed Andromeda, waiting to drown in the Solway Firth?

October 21, 2016 General, Painting

Sir Edward Poynter, a British Gérôme? 1, to 1879

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Reviled through the twentieth century, in his day he was one of the most eminent British artists. Is he due a revival?

October 19, 2016 General, Painting

John Roddam Spencer Stanhope: a different Pre-Raphaelite

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His early paintings were narrative and highly original. From the 1870s they changed, becoming more Aesthetic.

October 18, 2016 General, Painting

Frederic, Lord Leighton: Classic and Aesthetic

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His later paintings became weaker in narrative to the point where some seemed almost trite. What was he up to?

October 16, 2016 General, Painting

Dante Gabriel Rossetti: the Pre-Raphaelite and Aesthetic

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His later paintings, after 1858, are quite different from those he made when a member of the Pre-Raphaelite Brotherhood. How?

October 15, 2016 General, Painting

The Story in Paintings: Mariana – Shakespeare or Tennyson?

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Several Pre-Raphaelites painted this character from a Shakespeare comedy, but as a symbol of despondent isolation. Why?

October 13, 2016 General, Language, Painting

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