Introduction to a series of articles looking at the work of some of the brilliant women artists who were associated with the movement.
Daughter of Uranus and Gaia, and mother of the nine Muses, she has seldom been painted on her own, except by Rossetti.
The Marriage Feast at Cana, and works by Botticelli, von Carolsfeld, and Dante Gabriel Rossetti featuring wedding feasts.
Why did the Pre-Raphaelites want to return to the ‘purity’ of painting before Raphael? Did they succeed?
His most famous painting, ‘Work’, inspired by the ideas of Thomas Carlyle, and a possibly unique example of multiplex narrative after William Hogarth.
By 1852, he wasn’t making progress. The Pre-Raphaelite sculptor emigrated to Australia, and Brown thought seriously about going to India. Instead he painted ‘The Last of England’.
From Byron’s Faustian play ‘Manfred’ to the effects on family of the Crimean War, his paintings were often richly narrative, and only gently Pre-Raphaelite.
Smoke in paintings by Poussin, Millet, Homer, Sargent, Waterhouse, Rossetti, and others with more subtle meanings about wind, magic, and gambling.
After Rossetti’s death in 1882, Marie Spartali Stillman kept his obsession alive. Then can Odilon Redon, who also fell for the story of Beatrice.
Rossetti was obsessed with Beatrice, sometimes the literary figure from Dante’s ‘Vita Nuova’, other times that from the Divine Comedy. He was also obsessed with his models Lizzie Siddall and Jane Morris.