After the death of his patron in 1716 he remained rich, successful, and for the next century his paintings were rated more highly than those of Rembrandt.
Rembrandt
His fortunes changed in 1696 with a visit from the Elector Palatine, who became his patron, and six years later made him his court painter.
From Rubens’ double-portrait with Isabella Brant, and Rembrandt’s with Saskia, to Paul Signac’s wife with a parasol and Ferdinand Hodler’s wife Berthe Jacques.
Full contents for this series, with lists of artists considered in each of its articles, and links to the articles.
An overview starting with the sculptural folds of the late 13th century, peaking with Raphael and Rembrandt, and dissolving with Renoir and Sargent in the early 20th century.
The man in the background is the husband of Mrs Phelps Stokes, posing as a surrogate for a Great Dane. Note the Renaissance elbow.
From Veronese’s bravura brushstrokes to the crafted surface textures of lavish and heavy fabrics with Rembrandt.
A grisaille turned into a trompe l’oeil, symphonies in white, making the transition to oil paints, an exercise for pupils, and vibrant primary colours.
Should chiaroscuro paintings show much in the way of colour, given that in the dark only the rods in our retinas function, giving us monochrome vision?
A trip round the painter’s palette, with outstanding examples of well-known colours in use. Starts with yellow, then to red and finally to blue.
The Eclectic Light Company 