If it’s not the date or features of a new version of macOS that come as a surprise, then what is? It’s what birders refer to as jizz, or its feel. What should we look for in Golden Gate?
Rembrandt
Overview and links to each of the articles in this series looking at shade and shadow in figurative and landscape paintings.
El Greco’s uniquely painterly brushstrokes, the oil sketches and studies of Rubens, and Rembrandt, the first major artist to intentionally leave brushstrokes in prominent passages.
With great interest in optics, depicting shade and shadows advanced in the 17th century, in paintings by van Honthorst, Judith Leyster, and above all Rembrandt, whose promoter was the father of Christiaan Huygens.
From the end of the Thirty Years’ War, settlement of Cape Colony, the United East India Company as the largest in the world with a private army of 10,000, Vermeer’s Milkmaid, to invasion by France and decline in 1672.
From the start of the Eighty Years’ War with Habsburg Spain, through the Union of Utrecht, foundation of the East India Company, tulip mania, and abundant Rembrandts.
Watermills by Jacob van Ruisdael and Meindert Hobbema, and a selection of windmills by Rembrandt, Jan van Goyen, and a later copy by John Constable.
Five paintings of women in trouble: Ariadne on Naxos, Mary Magdalen, an allegory of logic, the disillusioned Medea, and Cydippe with the apple of Acontius.
How Dutch painters studying in Italy came to be influenced by Caravaggio, and took his style back to Utrecht, where they became known as Utrecht Caravaggists.
Composition and effects of different types of varnish, with its visual effects, and how it can make a painting unreadable when it contains accumulated dirt.
