The very large Paris Salon of 1883 introduced the public and critics to a new and growing movement in painting. It wasn’t Impressionism or Post-Impressionism, though.
Two friends, close in age and origins, who even shared the same surname. Social realists as they struggled for success, both changed when they attained it.
He retired to Roskilde, where he painted superb views of its Gothic cathedral, and looking out over the fjord.
Some delightful gardening and rural tales, and a couple of views of the gardens of Rome. It seems that he retired after about 1922.
Landscapes generally without stories attached. Among them two scenes of early caravanning, a sower, and back to the railway.
In these years, he painted peaceful rural scenes, without the social narratives which had featured in his earlier work.
A decade in which Ring’s life and work were transformed by marriage to his muse, Sigrid. Many of his best paintings are here.
Transition from paintings of an elderly couple struggling to survive a harsh winter, to well-dressed girls sewing in the sun.
A remarkable series showing skilled workers at their workplaces, then a visit to Italy, where he painted 3 mummified corpses in the catacombs. Also his finest landscape.
Social realism in the stony fields of Denmark, a wonderful view of Jerusalem, and his friend LA Ring facing a passing critic – and more.