Several pro-Empire paintings, including the story of Cleopatra’s seduction of Caesar, as the Suez Canal was being built. Then his most famous painting of all: Pollice Verso.
In her later career, she concentrated on social realist paintings of the rural poor, and during World War 1 devoted her time to the relief of refugees in Paris.
Already trained and accomplished, she went to Paris in 1887, where she established herself as the leading American woman painter.
In 3 years, he swung from conventional to highly novel narrative, covering themes of assassination, cynicism, prostitution, and looking.
His grand spectacle of The Age of Augustus was brave, but less successful than more modest paintings of Russian soldiers, or a comic duel.
Behind his traditional narrative paintings are his views on the Third Republic, the slaughter of the Paris communards in 1871, and the Dreyfus affair.
Vociferous opponent of Impressionism, hugely successful and popular, he taught more than 2,000 pupils. The start of a systematic account of his narrative paintings.
As an avid photographer, how did he use his many photographs in his paintings? Was he just a copyist?
During his career, over 300 of his paintings were shown in the Salon, many being bought by the state for public collections. Yet he has all but vanished since.
Although intricate in their detail, none of these paintings is larger than 90 cm in either dimension – and several are quite painterly in a miniature way.