Full access to this series about the group founded by Walter Sickert and friends, with contents, and an index of major themes.
Post-impressionism
Between 1910-14, avant garde painting in Britain came to the fore, with exhibitions of the Allied Artists Association, Fry’s Post-Impressionists, and this group of 16 painters.
From 1880, he painted in Naturalist style, then switched to Impressionism in the early 1890s. He finally embraced post-Impressionism in the 1920s.
Paintings from the early 20th century by artists who lived on the coast near Saint-Tropez, from Signac and van Rysselberghe to Pierre Bonnard.
At the end of the 19th century, the coast near Saint-Tropez became the cradle of modern painting. Views of the coast and its distinctive light and intense colour.
Between 1884 and his death in 1890, he painted a great many still lifes, some of which are not only among his most famous, but the most popular in Western art.
A small selection showing how still life painting was an essential part of his art, even more fascinating and enigmatic than his landscapes.
Courbet’s late coastal views and waves, Cézanne’s Post-Impressionism and radical watercolours, Hodler’s sublime view over Lake Geneva, and Signac’s mixed media.
Paintings of the sky by Vincent van Gogh, Edvard Munch, Klimt, Cézanne, Schiele, Paul Nash and others.
He developed a fascination for the form of the agave plant, and painted a series of figurative works showing ladies in a fictional country estate.
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