One of the first serious landscape painters in Europe, contemporary and friend of DĂĽrer, and originator of the World View, a precursor to the panorama.
Patinir
Related optical effects that combine to give the impression of depth. Explored in Renaissance paintings, and some from the 19th century.
Looking at paintings that are maps, and maps that are paintings, including Leonardo da Vinci’s, and the first map of Australia from 1547.
GĂ©ricault’s Raft of the Medusa, GĂ©rĂ´me’s gladiators, Émile Claus and Luminism, Boudin on the beach, and into the skies with Hans Thoma’s herons.
Long before any person took to the air, artists were already imagining World Views of major land battles and the countryside around them.
Although it was Leon Battista Alberti, in the southern Renaissance, who first developed the subject of composition in […]
From an elevated viewpoint, finely detailed, great depth, figures and buildings tiny in the immensity of the view, far distant horizon – it’s a World View.
From Botticelli’s map of Dante’s ‘Inferno’ to Vermeer’s fine-detailed depictions of decorative wall hangings.
How northern landscape painting was taken to Italy, and started its long journey to acceptance, and eventually Impressionism.
The earliest landscape paintings – and very many since – have fundamentally been visual records of the world.
The Eclectic Light Company 