Rural naturalist, Impressionist, and Pre-Raphaelite styles in portraits, landscapes, genre, and religious paintings: that is versatility.
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He painted with the Danish Impressionists at Skagen, in St Ives, and above all in Hungary – and has been all but forgotten now.
A Richard Strauss opera, a classical Greek myth, and a painting. Do they tell the same story, and how?
His paintings move through Impressionism to a distinctive Post-Impressionism, with swirling brushstrokes, and more subtle colour.
He worked his way from rural naturalism, through Impressionism, to a distinctive Post-Impressionism.
Did this masterpiece of Neo-Impressionism use an old technique from the early Renaissance?
I have several times written that early western painting, until the late Renaissance, not uncommonly incorporated multiple copies […]
An unusually moral story of the classical gods; superb paintings by Rubens, Rembrandt, Elsheimer, and others.
Looking at the stories shown in the main paintings of the Brancacci Chapel, Florence.
More myths in a single painting than you’ll see anywhere else. But do they come together to form another narrative?
The Eclectic Light Company 