An unusual classical god in very peculiar circumstances: what took the goddess of love to the doctor?
painting
Into the 20th century, and he was busy teaching at Summer Schools in Europe, and trying to come to terms with art of the future.
A fascinating and eclectic year in art, as the Masters of the 19th century handed over to the tigers of the 20th.
How did one of the Pre-Raphaelite Brotherhood come to paint this clothed Andromeda, waiting to drown in the Solway Firth?
His classical narratives are as sophisticated as Leighton’s, his spectacles as good as GΓ©rΓ΄me at his best, and he made some of the best paintings of the Aesthetic movement.
Reviled through the twentieth century, in his day he was one of the most eminent British artists. Is he due a revival?
His early paintings were narrative and highly original. From the 1870s they changed, becoming more Aesthetic.
His golden age, when each summer the family moved up to their house at Shinnecock, where he taught, and painted like never before.
His later paintings became weaker in narrative to the point where some seemed almost trite. What was he up to?
His later paintings, after 1858, are quite different from those he made when a member of the Pre-Raphaelite Brotherhood. How?
