Between 1774-79 he painted views of the mountains, glaciers and waterfalls of the Alps. And he even made oil sketches in front of the motif.
painting
His later pastels are particularly sublime, with high chroma and mythical stories, include a drunken man being loaded onto a donkey.
A founder member of the Nabis, and close friend of Pierre Bonnard, he developed a unique high chroma style and a taste for mythical landscapes.
In which Dante is terrified by three wild animals and meets the ghost of Virgil. Together they make their way to the gates of Hell.
After painting portraits of the Pope during his second visit to Italy, he returns to paint the king’s niece and new bride, Las Meninas, and his last myth.
Two superb series of paintings of scenes from Goethe’s Faust Part One, by Ary Scheffer and James Tissot.
Only Tintoretto and Louis Janmot have dared show their visions of Paradise. For others including Bosch, it couldn’t be envisioned.
Deep underground, Satan and his demons are torturing and tormenting naked people. If you don’t live an exemplary life, that may be what you get in return.
Tony Robert-Fleury’s pupils included Lovis Corinth, Cecilia Beaux, Lydia Field Emmet, Marie Bashkirtseff, George Clausen, Édouard Vuillard, and Ker-Xavier Roussel.
Joseph-Nicolas taught his son Tony, who like his father was an academic history painter with a taste for human disasters. He also taught at the Académie Julian in Paris.
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