He developed a fascination for the form of the agave plant, and painted a series of figurative works showing ladies in a fictional country estate.
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Including an unusual Transfiguration, which is a composite with the story of healing of a boy possessed by the devil.
Rinaldo is told of two stories about unfaithfulness and the tricks husbands and wives use to catch one another out.
Titian seems to have understood exactly what Vittoria Colonna wanted, and in doing so changed art.
Moreau defined painting as “this language of symbol, myth and sign”, and this is his greatest expression of that.
More wonderful paintings from Pierre Bonnard, JW Waterhouse, Théo van Rysselberghe, Nikolai Astrup and others.
Reduced to viewing the blossom online? Here are wonderful paintings of tree blossom from Millais, Sisley, van Gogh and others.
His two paintings of Salome shown at the 1876 Salon are dominated if not overwhelmed by their symbols. They are the watershed in his art.
Moreau is often claimed as a ‘father of Symbolism’, or even a Symbolist. A detailed look at his first great success at the Salon: is it regular narrative or symbolist?
Thirteen bays of four small frescoes each telling the Old Testament stories from the Creation to the building of the Temple, and four of the life of Christ.
The Eclectic Light Company 