During his lifetime, Durand-Ruel bought a total of 1,500 paintings by Renoir, over 1,000 Monets, 800 Pissarros, over 400 by Degas, and almost 400 from each of Sisley and Mary Cassatt.
painting
Concludes a history of the unicorn in paint, from travellers’ tales and Paulus Potter, through Gustave Moreau into the early 20th century.
In the Renaissance, the unicorn wasn’t legendary at all, but had appeared in classical accounts of natural history. It was as real as a rhinoceros.
He continued to paint religious works and folk tales after his spell in Kiev painting frescoes in the cathedral there.
Described as a Symbolist, he painted a wide range of Russian and Slavic folk tales, and was a friend of Ilya Repin.
The burial of Brandimarte, and death of his wife. After that, Charlemagne celebrates the triumph of his paladins, before Ruggiero and Bradamante’s marriage is called off.
At his third attempt, the young Poussin made it to Rome, where he found an unusual patron who was an obsessive collector and friend of Galileo.
A brief overview of his career, with some of his finest paintings, and links to more detailed accounts.
Why did the Pre-Raphaelites want to return to the ‘purity’ of painting before Raphael? Did they succeed?
Raphael’s legacy, including assimilation of styles, figures so lifelike they’re ‘almost breathing’, and a large workshop.
