An encounter with Furor which Sir Guyon manages well, a battle with Pyrrhochles, then a trip with Phaedria on the Lake of Idleness. Paintings by Palmer and Etty, and more.
narrative
The Gauls took the whole city of Rome, apart from its Capitol, but were then effectively put under siege themselves. The city was looted and sacked.
Famous for discovering his wife Aphrodite making love with Ares, he is blacksmith to the gods, and selected mortals.
Classical expectations are reinforced in the Bible, but clearly fade by New Testament times, when Jesus uses attitudes towards Samaritans in his teaching. By the 19th century, hospitality has been lost.
Three classical myths – Atlas turned to stone, Philemon and Baucis, and Leto and the Lycians turned into frogs. Why you should always show hospitality to strangers.
Paintings and illustrations by Gustave DorĂ© and Walter Crane, two of the 19th century’s major illustrators, and both accomplished painters.
Telling a story in a standalone painting, and telling one in illustrations, are very different. Examples by Masaccio, Poussin, Crane, Rackham, and Hogarth.
Book 2: another knight on a different mission. This time it’s to tackle Acrasia, an evil enchantress who lures knights to her wandering island.
After his banishment from Rome, Caius Marcius co-led the Volscians and brought them almost to the city’s gates, ready to invade. He was then sent a deputation of women.
A goddess almost never painted, but her priestesses, the Vestal Virgins, were far more popular. A small selection, ending in one of GĂŞrome’s grandest arena paintings.
The Eclectic Light Company 