They range in number from 3 to more than a dozen, have various names and roles, but in paintings are most commonly followers of the sun chariot.
narrative
Artegall and his iron servant Talus progress on his quest. They come across Amazons who, led by their queen, capture knights, put them in women’s clothes and force them to perform women’s work like spinning. This fate is in store for Artegall too.
Key parts of the background of paintings of the story of the rape of the Sabine Women, this hill was originally a fortress, then the major temple to Jupiter.
Goddess of youth, and cupbearer to the Olympian deities, she was a popular guise for portraits, and shown in a few mythological paintings.
Artegall’s origins and the nature of his quest are revealed. He and his iron servant Talus deal with a knight who killed his lady, a Saracen extorting money as a bridge toll, and a horse thief is revealed at a wedding.
A nymph cursed by Hera to repeat the words just spoken to her, and a youth who falls in love with his own image. Together the result in some of the finest narrative paintings.
Claude Lorrain’s view of Delos, Leonardo’s Virgin of the Rocks, several versions of the Flight to Egypt, including one by William Blake, and more.
Paintings from a century ago by Fortescue-Brickdale, Franz von Stuck, George Bellows, and John Godward, who committed suicide because of Picasso’s success.
Scudamour tells of his visit to the Temple of Venus, where he met Amoret. Marinell had discovered Florimell, fallen in love, and his mother got her released.
Emperors Galba, Otho, Vitellius, and finally Vespasian before stability was restored. Painted stories of the Batavians, final minutes of Vitellius, and the destruction of Pompeii.
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