God of medicine and the healing arts, he has several unusual myths and features, including a strange relationship with a snake when he was a child.
narrative
Prince Arthur rescues Belge from a tyrannical giant with three bodies, and Artegall completes his quest by killing the giant who had been oppressing Irena.
Finance by the spoils of the Temple of Jerusalem, a place of suffering and death, and for oppression of Christians. Success out of excess.
Aglaea (representing splendor), Euphrosyne (mirth), and Thalia (good cheer), who together represent the better aspects of human nature, bit got Burne-Jones into trouble.
After a bitter fight, Britomart kills the Amazon queen and releases her slaves, including Artegall, who later resumes his quest and disposes of the enemy of Queen Mercilla.
The god of transitions, gates and doorways, who may have lent his name to the month of January. Paintings by Rubens, Poussin and Mengs.
They range in number from 3 to more than a dozen, have various names and roles, but in paintings are most commonly followers of the sun chariot.
Artegall and his iron servant Talus progress on his quest. They come across Amazons who, led by their queen, capture knights, put them in women’s clothes and force them to perform women’s work like spinning. This fate is in store for Artegall too.
Key parts of the background of paintings of the story of the rape of the Sabine Women, this hill was originally a fortress, then the major temple to Jupiter.
Goddess of youth, and cupbearer to the Olympian deities, she was a popular guise for portraits, and shown in a few mythological paintings.
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