This book looks at the type of painting which was central to Impressionism – the plein air landscape – and traces its development from inception by Desportes in the latter years of the seventeenth century, through the Barbizon School, to its peak in the late nineteenth century.
Morisot
A superb plein air painting of this scene on the River Tiber is part of the foundation that Corot laid for Impressionism.
How many times have you heard it said that mark-making is a sign of abstraction in painting?
A short overview of each of the eleven painters and paintings featured so far in the series ‘Favourite Paintings’, forming a concise history of painting from 1400 to 1914.
This Impressionist essay on light, colour, and tranquillity features vivacious brush work; in taking art into everyday family life, it heralds art for all.
