Father Time, a grey-haired old man with a beard, wearing ultramarine blue, and holding a scythe and hourglass.
Why did the Pre-Raphaelites want to return to the ‘purity’ of painting before Raphael? Did they succeed?
Reduced to viewing the blossom online? Here are wonderful paintings of tree blossom from Millais, Sisley, van Gogh and others.
From Savage’s portrait of the Washington family, through James Tissot’s boring old soldiers, coming full circle with a modern map of Dante’s Purgatory.
Besieged with inquiries from people who couldn’t sleep, Yeames judged a contest to explain his painting. It was clear that even he didn’t know the answer.
Becoming more popular in the late 1880s and early 1890s, ‘problem pictures’ from Marie Spartali Stillman, Henrietta Rae, Millais, and others.
Fine examples from Millais, Berthold Woltze, Yeames, William Quiller Orchardson, and Degas.
Millais’ wonderful painting of Ophelia wasn’t the first such work. From West and Delacroix to Rossetti and Bastien-Lepage, here she is.
Four months being bitten to death by midges, then a winter of immersing the model in a bath of tepid water. This masterwork didn’t come easy for anyone.
Never shown to the public in traditional paintings, a vital layer which goes between paint and the support. White, colour, chalk or oil.