Becoming more popular in the late 1880s and early 1890s, ‘problem pictures’ from Marie Spartali Stillman, Henrietta Rae, Millais, and others.
Fine examples from Millais, Berthold Woltze, Yeames, William Quiller Orchardson, and Degas.
Millais’ wonderful painting of Ophelia wasn’t the first such work. From West and Delacroix to Rossetti and Bastien-Lepage, here she is.
Four months being bitten to death by midges, then a winter of immersing the model in a bath of tepid water. This masterwork didn’t come easy for anyone.
Never shown to the public in traditional paintings, a vital layer which goes between paint and the support. White, colour, chalk or oil.
References to Botticelli’s Primavera and Poussin by Tiepolo, and in the late 19th century: Flora and the Spring.
From Dante Gabriel Rossetti, through Lovis Corinth, to Alphonse Mucha and Christian Krohg – modern masterpieces.
A protégé of Frederic, Lord Leighton, he joined Dickens’ circle and in 1874 married Kate, Dickens’ youngest daughter.
Two painters: one married Charles Dickens’ daughter and stopped painting, the other became a prolific illustrator, including books by Dickens’ grand-daughter. The Victorian Web at work.
Three brothers murder their sister’s lover. A grisly story turned into a poem by John Keats, and a formative painting for the Pre-Raphaelites, and others.