A foray into painting industrial landscapes in Impressionist style, and some of the highest peaks in Europe. Most memorable for his apocalyptic vision of the end of humankind.
landscape
Who’d want to paint much of their canvas dull, pale grey? If these paintings are anything to go by, many of the Impressionists
Frosts herald the winter, a time when few landscape painters work out of doors, but retreat to the studio. These paintings of frost come from the hardiest of artist.
From conventional composition in the early days of Impressionism, landscapes have been reduced, eventually ending up as areas of colour and texture.
Landscapes which are quietly unusual, and one of the Symbolist masterworks of the 19th century, after which he turned Impressionist.
From panoramas to wide-angle views, the optical effects of Naturalist paintings, depth-of-field effects, and loss of depth through a telescope.
A tough compositional challenge: a square that isn’t even rectangular, with unequal sides and a high tower. Solutions by Canaletto and other masters.
How trees came to invade Impressionist landscape paintings, in direct contravention to established principles.
His early landscapes followed van Mander. He also expressed his love of Claude’s work, before composition dissolved into light and colour.
Paintings of autumn from the early 20th century, by Jakub Schikaneder to Grant Wood.
The Eclectic Light Company 