Before the 19th century, most paintings of deserts were imaginary. Then artists started to paint them at first hand. Paintings up to 1864.
landscape
From Dürer and Poussin to Cézanne and Hodler, reflections have been important in many landscape paintings.
Alfred Hunt’s dazzling November Rainbow, Eric Ravilious walking alone in the rain, and the last and greatest paintings of Alfred Sisley.
Paintings by Richard Wilson, John Sell Cotman, James Ward, Samuel Palmer, Hans Gude and others showing the landscapes of Wales.
The more of less regular repetition of form to generate rhythms has long been used in figurative painting, but in the 19th century became prominent in landscapes.
Technically very challenging, most are painted in the studio, but some are quite unreal, and others suffer from the moon illusion.
Staffage – people, animals, birds, carts and ships – make a big difference to many landscape paintings. Have you met the Wanderer too?
With its central role in visual art, light and its source plays a critical role in composition. It’s also one of the challenges to those painting in the studio or in front of the motif.
A foray into painting industrial landscapes in Impressionist style, and some of the highest peaks in Europe. Most memorable for his apocalyptic vision of the end of humankind.
Who’d want to paint much of their canvas dull, pale grey? If these paintings are anything to go by, many of the Impressionists
The Eclectic Light Company 